Our superheroes get in the act at black comic-con expo
Creativity of artists, writers and cosplay characters on display at Black Comix Expo in Brooklyn
It’s been a year since Marvel’s Black Panther was released in theaters. If we’ve learned anything from its Oscar nomination for best picture, the estimated $1.3 billion it grossed and the movements it inspired, it’s that there is an audience craving stories about people of color who are powerful, smart and superheroic.
For many, T’Challa, M’Baku and Shuri were an introduction into a world where black people were not only in the future, they were running it. But the people of color superhero community is vast and established itself well before Wakanda became a household name. You just have to know where to find it.
Attending local comic conventions (cons) that focus on diversity and inclusion, such as the Black Comix Expo in Brooklyn, New York, is one way to do it. On Feb. 10, an estimated 2,000 people filled the halls of the Brooklyn Academy of Music (BAM) to attend the event. They were greeted with a range of activities, from a panel discussion about black women in sci-fi to a cosplay showcase. Patrons were also able to meet roughly 30 local comic illustrators and creators of color and creators and purchase their work.
Deirdre Hollman, 49, is founder of the Black Comics Collective, which co-presented the Expo with BAM. She said the event is important for people who independently publish comics and graphic novels.
“People can connect with community here,” said Hollman.
Hollman sought a racially diverse group of artists whose protagonists and storylines touch on a range of issues, including Afrofuturism (the belief that black people survive and thrive in the future), climate change and code-switching. The “x” in Comix is meant to embrace various types of art and artists, including graphic and literary novelists.
Jerry Craft, an author and illustrator from Harlem, New York, recently published New Kid. The story follows seventh-grader Jordan Banks as he adjusts to a new, prestigious school with very few students who look like him. He deals with colorism, code-switching and new sports such as soccer and squash.
“The story reflects my own upbringing and is meant to offer support to young adult readers in similar situations,” said Craft.
La Borinqueña is a superhero series from Edgardo Miranda-Rodriguez, a 48-year-old Puerto Rican activist and graphic novelist who lives and works in Brooklyn. His main character is Marisol Rios De La Luz, an Afro-Boricua woman who leads a double life. She’s a college student studying earth and environmental sciences and a super heroine who can fly and control storms. She lives in Brooklyn and has strong family and cultural ties in Puerto Rico. La Borinqueña, Marisol’s superhero name, is derived from Puerto Rico’s national anthem.
“The story,” said Miranda-Rodriguez, “highlights the impact of climate change and the humanitarian crisis in Puerto Rico.”
Ashley Woods, 33, is an illustrator from Chicago. She participated in the Black Comix Expo’s panel discussion on black women in sci-fi. She’s the creator of the comic Millennia War and has worked with various houses to produce comics such as Tomb Raider: Survivor’s Crusade, Niobe and Ladycastle. She’s currently working on Heathen, a comic featuring the female protagonist Aydis. She’s a lesbian Viking warrior and self-proclaimed heathen.
“Now is a good time to be a black woman in comic illustration. People want stories from black creatives. Black Panther really broke a lot of barriers and proved that black creatives can bring in big-budget dollars,” said Woods.
All three artists agreed that there is value in attending cons such as the Black Comix Expo.
Minority creatives and up-and-coming artists are easier to overlook or be priced out of the larger cons. The most popular cons attract around 100,000 attendees or more, and patrons pay entrance fees. In 2018, New York’s Comic Con attracted a record-breaking 250,000 people.
“It’s more intimate,” said Woods. “The big ones are overstimulating. It’s also easier to make money because you are not competing with actors, wrestlers or celebrities. The people who attend are there to support actual artists and buy their work.”
Miranda-Rodriguez added that the expo helps artists connect with community. “These events really promote artists of color, artists who actually have a stake in their characters,” he said.
Craft is a cofounder of the Black Comic Book Festival, along with Hollman, John Jennings and Jonathan Gayles. BCBF takes place at The Schomberg Center in Harlem and has a similar mission to the Black Comix Expo. It just features more patrons, panel discussions, comic book creators and cosplay participants.
“There are a lot of black authors doing really important work, and I would like to add to their narrative by bringing my line of contemporary stories that use humor to tell a message and contemporary stories,” Craft said.