The forgotten history of Puma basketball
Ralph Sampson, Isiah Thomas, Alex English, Vince Carter — Puma’s past in the NBA is deeper than you think
Isiah Thomas still has some old pairs tucked away at his house. The retired Detroit Pistons Hall of Famer hasn’t laced up the sneakers in what seems like forever. But they certainly remind him of the pinnacle of his playing days, and a bold chance he took with a footwear brand trying to make its mark in basketball.
“Keepsakes,” said Thomas, now 57, of the kicks in his closet from the 1989-90 season. They’re not Converse, Nikes or Adidas. They’re Pumas. That’s right — Thomas, the leader of Detroit’s “Bad Boys” era and one of the NBA’s 50 Greatest Players of all time, was once endorsed by the German sportswear company. He rocked Puma’s basketball shoes on the court and on life-size cardboard cutouts. They’re also the shoes Thomas wore when he was named MVP of the 1990 NBA Finals after the Pistons beat the Portland Trail Blazers to claim back-to-back titles.
“I won a lot of games in my Pumas,” Thomas said. “My fondest memories are winning a championship in them and pouring that champagne on my head. … I was killing ’em in those shoes.” Thomas’ time with Puma is part of an almost forgotten history: storied yet short-lived, the partnership lasting just one season.
Thirty years later, the brand is again striving for basketball relevancy. The ongoing NBA season marks Puma’s return to the sport for the first time in nearly two decades — and things are off to a good start, with Jay-Z as creative director of the rejuvenated basketball division. “I couldn’t ask for a better partner in building the vision for what we’re doing,” said Adam Petrick, who’s been with Puma since 1999, when he joined the company as web content manager. He’s now the global director of brand and marketing. “Jay-Z is a savvy business partner who understands how the market works … He’s also extraordinarily knowledgeable about the culture surrounding the game.”
@PumaHoops has a strong social media presence, its own private jet and a fresh new on-court sneaker, the Clyde Court Disrupt, inspired by true Puma icon Walt “Clyde” Frazier, who now has a lifetime deal with the company he joined in the early 1970s.
There’s also now a new generation of Puma hoopers serving as ambassadors for the relaunch. Skylar Diggins-Smith, Deandre Ayton, Marvin Bagley III, DeMarcus Cousins, Rudy Gay, Danny Green, Kevin Knox, Michael Porter Jr., Terry Rozier and Zhaire Smith. It’s a loaded roster: five of the first 16 picks in the 2018 NBA draft, including the top two selections; two grizzled NBA veterans; a four-time WNBA All-Star; a 6-foot-11 monster of a big man who made a major comeback from a gruesome injury; and a brash backup point guard playing in Beantown, who signed to the brand with a point-blank proclamation: “I ain’t f—in’ with nobody else but Puma.”
JAY-Z pictured with his new Puma jet "N444 SC" at Teterboro Airport, New Jersey en route to DC. – 7/27
— JAY-Z Daily (@JAY_Z_Daily) July 29, 2018
More players are wearing Pumas on the court than at any other time in NBA history. They’ve joined the Puma basketball family, which has a deeper and more tantalizing history than most would imagine. As Converse, Nike, Adidas and Reebok starred on court from the 1970s to the early 2000s, Puma placed its products on the feet of Hall of Famers and world champions, even once persuading a scoring titleholder to come on board. Pumas have graced the hardwood of high school showcases, college games and NBA Slam Dunk Contests. Deals were inked with everyone from the NBA’s tallest player ever to a high-flying phenom from the University of North Carolina who the company hoped would change its basketball fate.
“The Puma name is well-recognized as a leader in sports,” Vince Carter said in 1998, “and I’m looking forward to making that name even more well-known on the court.”
Puma tried again and again to thrive with some of the biggest names in all of hoops.
So how come it never worked?
“Jay-Z has been extremely influential,” Adam Petrick said. “He was the person who said to us, ‘It’s all about Clyde … You gotta go back to the beginning to really reboot this thing.’”
It all started in 1973, when Frazier became not only Puma’s first signature athlete but also the first player in basketball history to get his own sneaker. At the time, Frazier had a championship ring and was after another, averaging 21.1 points, 5.9 assists and a career-high 7.9 rebounds a game during the ’72-’73 season as the All-Star point guard for the New York Knicks.
Before Air Jordans, there were Puma Clydes. Frazier wanted a shoe that was wide, light and designed with sufficient interior padding. The brand followed his vision like a blueprint and delivered a product that featured an unprecedented element: Frazier’s nickname “Clyde” etched in cursive under the brand’s logo on the outside of each shoe — hence the term “signature sneaker.”
“For me, it was a big ego trip,” the Atlanta-born Frazier said in 2015, “because I was the only guy in any sport that had a shoe named after him.” Yet, even before Frazier dazzled in his own sneakers at Madison Square Garden, cats on asphalt courts throughout New York City swagged Pumas.
“Going back to my childhood, Puma certainly had a stake with people playing ball in parks,” said legendary DJ, filmmaker and sneaker savant Bobbito Garcia, 52, who authored the acclaimed 2003 book Where’d You Get Those? New York City’s Sneaker Culture: 1960-1987. “I came across some archival photos of Rucker Park in ’71 and ’72 and saw players wearing Pumas competitively on the biggest stage of the world outdoors at that point.”
Frazier catapulted Puma onto the world’s biggest basketball stages indoors, wearing Clydes when he and Willis Reed led the New York Knicks to a championship over Wilt Chamberlain, Jerry West and the Los Angeles Lakers in the 1973 NBA Finals. The Clyde ultimately emerged as one of the most influential sneakers of all time — a shoe that, after being embraced by hip-hop culture, transcended the sport of basketball. It was the epitome of style and embodiment of cool. Everyone, from ballplayers to break dancers, wanted to wear Puma — and Frazier was a huge reason why.
“I’d been a Frazier fan since I was a little kid,” said retired two-time NBA champion Wes Matthews, 59, who endorsed Puma from 1984 to 1986. “In high school, I wore No. 10 like him. I wanted a Rolls-Royce like him … wanted fur coats like him. I wanted to be a player like Clyde. He got me really into Puma.”
Soon after the Clyde’s 1973 debut, Puma signed George McGinnis, a back-to-back American Basketball Association (ABA) champion with the Indiana Pacers and the MVP of the league’s 1973 playoffs. In the first game that McGinnis, a 2017 Hall of Fame inductee, wore Pumas, the sneakers couldn’t handle the 6-foot-8-inch, 235-pound big man. On his second touch of the night, he ripped right through the top of one. “I’m very hard on shoes,” McGinnis later told the Indianapolis News. “When I cut, they rip.” He finished the game with Puma on one foot and Converse on the other.
“Should you wear Puma?” Bobby Jones, an eight-time NBA All-Defensive first-team selection with the Denver Nuggets and Philadelphia 76ers, posed in a first-person print ad from 1978, promoting the Puma Super Basket shoe. “All I can give you is my opinion.” Yet by 1979, Jones had switched to Adidas.
In 1980, Frazier retired. Coming off All-Star MVP honors and an NBA title with the Boston Celtics in 1981, Nate “Tiny” Archibald became Puma’s next big endorsee. Like Jones, however, Archibald lasted only one season with the brand. Spoiler: Supershort deals with players would continuously haunt Puma’s journey through basketball for decades. But it’s a trend that briefly changed in the mid-1980s, when the brand began courting star players such as Nuggets small forward Alex English. During the 1982-83 NBA season, no one could put the ball in the basket quite like the slender 6-foot-7 English, who made all 82 regular-season starts while posting an average of 28.4 points a game to win the league’s scoring title. English’s proficiency caught the attention of Puma, which lured him away from a previous shoe deal with Pony.
“Puma didn’t have to sell me too much,” said English, an eight-time All-Star and Hall of Famer. Now 65, he represented the brand from 1983 to 1987, primarily as one of the faces of the Puma Sky II. “The Nuggets back then, we were … very fleet-footed. We pushed the ball up the floor. We ran. So I envisioned my Pumas being the animal that they were — getting me up and down the floor. … I liked my Pumas a lot better than I did my Ponies.”
The same year English began wearing Pumas, the Houston Rockets selected Ralph Sampson with the No. 1 pick in the 1983 NBA draft. The 7-foot-4 Sampson had a history of wearing PRO-Keds in both high school and at the University of Virginia. Yet, as Sampson recalled during a discussion at the Naismith Memorial Basketball Hall of Fame, which he entered in 2012, PRO-Keds went on a hiatus shortly into his first season, halting the production of basketball sneakers. Puma scooped up Sampson, making him the company’s highest-profile basketball signing since Frazier. But there was one problem: Puma didn’t manufacture shoes in his gargantuan size 17. So the brand had to produce prototypes, which Sampson wore for most of his rookie year, including in the inaugural NBA Slam Dunk Contest in 1984.
Sampson’s exclusive prototypes, some game-worn versions of which have sold at auction over the years, turned into pairs of his own sneakers that Puma then cranked out tirelessly. One ad from the mid-’80s promoted the release of “seven new Ralph Sampson signature shoes from Puma” — for real, seven at once. And, similar to Frazier, the Rockets center soon got a shoe named after him: the Puma Ralph Sampson.
“I wore that Ralph Sampson shoe all through high school. It’s the best basketball shoe I’ve ever worn … even to this day,” said Cedric Ceballos, who joined the brand in the early 1990s while playing for the Phoenix Suns. “Let me rephrase that … it’s the best basketball shoe ever made.”
Sampson’s contract with Puma paid him approximately $400,000 from 1984 to 1989. “Ralph received a megadeal,” said Petrick. “It was the first time a player got a significant check for an endorsement.” After Sampson, a 21-year-old named Michael Jordan, the third overall pick in the 1984 NBA draft out of the University of North Carolina, signed a contract with Nike worth $500,000 annually for five years. During the ’84-’85 season, Wes Matthews started 38 games at point guard for the Chicago Bulls as the backcourt mate of the young M.J., who debuted the iconic Air Jordan 1. On Matthews’ feet: the Puma Sky LX.
“I had some of my best games when I played in my Pumas with Michael Jordan,” Matthews said. “I took pride in my Pumas. I made sure they were clean every day. I made sure they gave me a couple extra pairs that I’d take on the road in case they got scuffed up or tore. … I felt like, OK, I’m wearing one of the baddest shoes in America.” And he wasn’t the only one.
“The Sky LX, by leaps and bounds, was the most superior performance shoe Puma ever did up until that point,” Garcia said. “The polyurethane midsole, great cushioning on the ankle — it became one of those coveted sneakers. … The Jordan 1 paled in comparison to the Puma Sky LX, which was just a better ball-playing shoe.”
With a strong product and perfect placement, Puma began to experience a basketball renaissance. “I’m playing alongside Jordan, who’s getting fined every game for wearing his shoes …,” Matthews said. “He’s getting a lot of publicity … so I figured Puma would get a lot of publicity and the brand would take off.”
Matthews was right — English, Sampson and Milwaukee Bucks power forward Terry Cummings appeared in the 1985 All-Star Game, all wearing Pumas. Sampson was named the MVP with a game-high 24 points and 10 rebounds. “You’re talking about three high-powered athletes,” said English, who also recalls an offseason tour of Munich and Madrid with Sampson and Cummings on behalf of the brand. “We brought respect to Puma. … People saw us every night, and that brought a lot of other guys on board.”
The 7-foot-7-inch Manute Bol, who holds the distinction (along with Gheorghe Muresan) of being the tallest player in NBA history, wore Pumas briefly in 1985. The brand also served as the official shoe supplier of the marquee McDonald’s All American Game in 1986 and became the footwear sponsor of college teams across the country, including Boston College, Cleveland State, DePaul, UCLA, Villanova and Wake Forest.
“I’ve always loved Pumas, the style and look, having played in them at UCLA,” said Hall of Famer and NBA on TNT analyst Reggie Miller at the beginning of this season. “I’ve always thought they were sleek, and ahead of their time.”
Puma also added Cummings’ Bucks teammate Paul Pressey (who wore Pumas in the 1986 dunk contest), Lakers power forward A.C. Green and New Jersey Nets power forward Buck Williams to the mix. “Puma at the time was aggressive and ahead of the curve,” Petrick said, “for what would come later, and what Nike would ultimately dominate — sports marketing.” Puma basketball was diversifying. Yet, according to a worldwide research company’s report included in a July 1986 story from the Chicago Tribune, the brand earned only 5.6 percent of the basketball sneaker market in the fourth quarter of 1985, compared with Nike, which checked in at 46.3 percent, and Converse at 17.4.
“Nike and Converse were the big boys on the block,” recalled Isiah Thomas, a Converse endorsee from 1981 to 1989. “No one else was really able to break through.” Whether due to the strength of competitors, durability problems with shoes, trial-and-error product design, or a combination of them all, Puma’s 1980s resurgence in basketball eventually lost steam. As the decade drew to a close, the brand’s athletes began making moves. English left for ASICS, and Matthews turned a brief sneaker free agency into a deal with Converse. Pressey only stuck around for a season, and Green decided to roll with Nike. Buck Williams, who was contacted for this story, didn’t recall endorsing Puma at all.
For five years, Sampson had driven Puma basketball with at least 12 variations of signature on-court and lifestyle shoes. But he spent his final few injury-plagued seasons in the NBA with Converse. “There were tons of great athletes that represented Puma back in the day, but what ended up happening is the product itself wasn’t that good,” said Petrick. “If you look back at Puma’s arc in the last 30, 40 years, that’s where the challenges came for us. We were really strong in marketing but lost our way from a product standpoint.”
Only Cummings remained with the brand in basketball by 1989, when he wore Pumas in the All-Star Game. Later that year, Thomas ended his eight-year partnership with Converse to take a chance with Puma for the ’89-’90 season.
“I’ve always been known for going against the grain and trying to start my own thing,” Thomas said. “Puma approached me, similar to what they’re doing now. They wanted to relaunch the brand, get back into the mainstream of basketball. I thought they had great ideas. So I joined.”
Thomas led campaigns for Puma’s Stealth and Stalker silhouettes, as the brand prepared to give him the signature treatment. The 6-foot-1-inch Thomas wanted to take the court in low-cut sneakers that would complement his speed and playing style better than the bulky Converse high-tops. Puma cooked up the Palace Guard (which debuted a year after the opening of the Palace at Auburn Hills) for the feet of Detroit’s starting point guard. It was a perfect combination of design and storytelling. The shoes (a retro edition of which you can still find on Puma’s New Zealand website) were designed in red, white and blue, like Pistons uniforms, and with Thomas’ signature stitched on each tongue. They played a part in some of his biggest moments, from the 1990 All-Star Game to the NBA Finals months later. But Thomas only wore them for less than a year.
In a first-season episode of The Fresh Prince of Bel-Air that aired Nov. 12, 1990, Thomas made a cameo appearance, challenging Will Smith to a game of one-on-one while wearing a pair of ASICS. “At that period in basketball,” Thomas remembered, “it was just a down time for Puma.”
Cummings, the last man standing, made the jump to Nike in 1990. By then, it was all about the Swoosh when it came to sneakers, while Jordan, the player dubbed His Airness, dominated the conversation in the NBA. Historic brands such as Converse and Puma suddenly phased out performance basketball sneakers.
“I don’t think we can say it never worked out for Puma in basketball. It worked very well — at times,” Garcia said. “But there was this phenomenon called Michael Jordan, and Nike and Jordan took over the world. After that it was hard for any brand to compete. … I could see why Puma said, ‘You know what? F— this. Let’s not even be in the race.’ ”
When Cedric Ceballos entered the 1992 NBA Slam Dunk Contest, he had a standard deal with Nike: about $15,000 a year and access to sneakers such as the Air Bound, which he laced up to compete against Nick Anderson, Stacey Augmon, Larry Johnson, Shawn Kemp, John Starks and Doug West at Orlando’s All-Star Weekend. Ceballos won, and “Puma jumped right in and signed me,” he said. It was an unlikely move to bring on Ceballos, a backup small forward for the Suns who averaged a minuscule 11 minutes a game during his sophomore campaign in the league. But more than a year had passed since a player repped Puma on an NBA court. “I’d imagine sales were dropping,” Garcia said. “And Puma put a priority on their lifestyle shoes, which were doing really well.”
The brand had to start over in basketball with someone. So Ceballos got a deal worth more than six times his previous Nike contract. He wanted to play in Sampson’s signature Pumas, which he grew up wearing, or something similar. But Puma had other plans. Marketed as the “Discman,” Ceballos became the face of the revolutionary Puma Disc System Weapon — designed without shoestrings. (In comparison, the Jordan Brand wouldn’t release its first laceless shoe for another 26 years.)
Ceballos donned the Disc Weapons during his unsuccessful title defense in the 1993 dunk contest and even incorporated the shoe into the performance. Before the start of the ’93-’94 season, the Suns competed in a tournament in Munich, where the team marveled at the sight of its backup forward on a massive billboard towering over part of the city. Back in the U.S. on 94 feet of hardwood, Ceballos took pride in being a nightly Puma spokesman.
“During the games, if I’m at the free-throw line or knew the camera was on me … I would tell the referee to hold up … I’d go down and fix my shoes,” Ceballos said. “I was all in. I was trying to help build the brand.”
The sneakers gained some traction, but no one seemed to be able to get their hands on them. “Everybody was like, ‘Where do I find those? Where do I get those?’ ” Ceballos said. “It got to a point where they weren’t selling them in the States. They might have been selling them overseas? … I don’t know.” By the spring of 1993, the entire company actually found itself on the brink of bankruptcy, “struggling under eight years of losses, $250 million in debt and a warehouse filled with 1.5 million pairs of cheap $10 sneakers,” as The New York Times reported a decade later. “The early ’90s were when we were at our absolute worst,” Petrick said. “That was when the company just fell apart.” In the summer of 1994, Ceballos returned to Nike — another Puma athlete gone, just like that.
“Puma never really was at the forefront when it came to basketball,” said Ceballos, who was traded to the Lakers after parting ways with Puma. “They wore them for fashion. Puma was more so a tennis shoe, or casual type of shoe. Everybody respected Puma … but they needed a player to take them over the top. … Then Vince came along … ”
Puma anointed the 6-foot-6-inch, long-armed leaper from Jordan’s alma mater as yet another savior. Two months after the Golden State Warriors selected Carter No. 5 overall in the 1998 NBA draft (a pick traded to the Toronto Raptors in exchange for his UNC teammate, Antawn Jamison), the brand finalized a 10-year, $50 million deal with the 21-year-old rookie. He became the only player at the time, and first in almost five years, to wear Pumas in the NBA. Carter joined New Orleans Saints running back Ricky Williams, world welterweight champion Oscar De La Hoya and then-16-year-old tennis prodigy Serena Williams to form a group of promising athletes representing Puma across multiple sports.
“I am pleased to have the opportunity to join the Puma team and be a part of the company’s exciting return to basketball,” Carter said in an August 1998 press release. It wasn’t just his basketball prowess and sky-high ceiling that impressed the brand. The impact Carter, a goodwill ambassador for the Big Brothers Big Sisters of America, could have off the court was undeniable.
“In order to relaunch in basketball, we were looking to align ourselves with an exciting player who could bring credibility and exposure to the Puma name,” Puma spokesman Don Gibaldo said at the time. “Vince is a great player with a great heart. There’s no need for embellishment with Vince.”
Puma had a gem. Carter breathed life into Toronto basketball and emerged into an eight-time NBA All-Star. He put on the greatest show in Slam Dunk Contest history, helped propel Team USA to gold at the 2000 Olympic Games and has remained in the league for 21 seasons — the last of which he’s now spending at age 42 with the Atlanta Hawks. Yet Carter achieved all of these career milestones without Puma. Their anticipated decadelong union lasted just 16 months.
Because of a nearly eight-month NBA lockout during his rookie year, Carter didn’t rock Pumas in an NBA game until late January 1999. He averaged 18.3 points and 5.7 rebounds a night wearing the Puma Cell Origin before being named the 1999 NBA Rookie of the Year. At the start of his second season, he appeared in a Puma ad with the tagline, “INTRODUCING Vince Carter’s shoe for the fall NBA season.” It promoted the Puma Cell VI, which he wore as the brand finalized his first official signature sneaker, dubbed the Puma Vinsanity after the nickname given to him by a play-by-play announcer on the call of one of his rookie year dunks.
The Cell VI became “the top-selling shoe Puma ever had,” said longtime brand executive Jay Piccola in the 2017 documentary The Carter Effect. It blew up because folks thought (and still think) it was Carter’s debut signature model. While awaiting the drop of the Vinsanity, he turned into a walking advertisement for the Cell VI. In the summer of 1999, Carter made a surprise appearance at a Rucker Park pickup game that was moved indoors due to a severe thunderstorm. He pulled up with a wave cap on his head and Cell VIs on his feet before throwing down a windmill alley-oop that sent the 100-degree gym, jam-packed with 2,000-plus people (including Jay-Z), into a frenzy. Carter posed in the shoes during a photo shoot with his cousin and Raptors teammate Tracy McGrady for a five-page story in Sports Illustrated.
The same day the issue hit newsstands, on Nov. 1, 1999, another photo shoot took place at an empty Air Canada Centre. In the Cell VIs , Carter put on a clinic of jaw-dropping dunks — jumping from the free throw line, cocking the ball back and floating midair. Yet in a matchup between the Raptors and 76ers on Nov. 14, 1999, he broke out a white and black version of the Vinsanity. A week later, he was photographed in the Vinsanities again, this time while facing the Lakers under the lights at Staples Center. The game marked one of the last times he played in the first signature shoe of his career.
On Dec. 1, 1999, Puma released an official statement regarding Carter. “Puma North America, Inc. regrets that Vince Carter has chosen to announce a purported termination of his contract. Puma vigorously denies that it has breached any of its obligations to Mr. Carter, and will energetically pursue its legal remedies. Puma is proud that Vince Carter has achieved such enormous success in such a short period of time as an NBA star while performing in Puma’s shoes. Puma wishes Mr. Carter every continued success as a basketball player, notwithstanding it will require Mr. Carter to honor his … 10-year Puma contractual commitment.”
The company went to arbitration with the Raptors star and reached a settlement that required him to pay Puma approximately $13.5 million in damages for breach of contract (plus an additional $1 million in lawyer fees). Carter earned about $36.5 million in the 471 days he spent with Puma.
In April 2000, USA Today reported that Carter cited Pumas as hurting his feet as a reason for leaving. According to Ad Age, “Puma reportedly didn’t make good on its promise to introduce a new shoe line … or spend a certain level of advertising on Mr. Carter.” He’d grown frustrated at how slowly the brand approached marketing the Vinsanity, which was originally supposed to drop before the start of the ’99-’00 season.
There’s little record of the release of the Vinsanity, save the occasional vintage pairs that pop up every now and then online. Digital versions of the shoe were rendered into NBA Live 2000. There’s also a lone print ad, and a commercial that teased the Vinsanity as “Vince Carter’s game shoe for the spring season.” In February 2000, he was named a starter for the NBA All-Star Game in Oakland, California, as well as a participant in the weekend’s dunk contest. Carter, a sneaker free agent, won in epic fashion wearing the AND1 Tai Chi — not the Vinsanity, as Puma had previously envisioned.
By August 2000, Carter signed with Nike. “It was the perfect opportunity … it made sense,” Carter recently told The Undefeated, while declining to speak on his time with Puma.
“Puma treated me so good,” Ceballos said. “Ain’t no telling how they treated Vince.”
Almost 20 years later, one detail surrounding Carter’s Puma legacy has been frequently misreported. Carter wasn’t the the last player before the 2018 relaunch to wear Pumas in the NBA. Kenny Anderson, Chucky Atkins, Sam Perkins and John Wallace all wore them from 1999 to 2001. Perkins actually wore the Cell Origin on May 2, 2001, while playing for the Pacers in the final game of his 17-year NBA career.
“We had a small program for a couple years after Vince left,” Petrick said. “But I don’t think we sold a ton of basketball shoes at the time.”
Wes Matthews, who’s 30-plus years removed from his Puma days, has been doing a little unofficial recruiting for his former brand. Last fall, he exchanged texts with his son, 10-year NBA veteran Wesley Matthews, then the starting shooting guard for the Dallas Mavericks. (On Feb. 1, he was traded to the New York Knicks.)
“I thought his Nike deal was coming up, so I said, ‘Yo, let’s go over to Puma, son,’ ” Matthews recalled. “He liked the idea … but said, ‘S—, I’m too old.”
The core of the brand’s current athletes — Ayton, Bagley, Knox, Porter Jr. and Smith — are all under the age of 21. Yet, days before the Oct. 11 release of the Clyde Court Disrupt, the elder Matthews texted his son again with news of Puma’s latest signing — another early-30s shooting guard, also in his 10th year in the league.
“‘You ain’t too old,’” Matthews’ message read. “‘They just signed Danny Green.’”
Then the brand found a “perfect fit” in the 28-year-old Boogie Cousins, who returned to playing in mid-January after being sidelined for almost a year with a ruptured Achilles tendon. He’s already debuted the Puma Uproar — a new model for the second half of the NBA season, which is set to drop during All-Star Weekend in mid-February. Of Puma basketball’s current athletes, Cousins is the only true superstar. But the future seems to rely heavily on those five rookies.
“One of these young players has to have a standout and successful season,” Reggie Miller said. “The shoes … they’re already fire. Puma faded because nobody had been wearing them.”
With 10 athletes and counting, that’s no longer the problem. “They’re trending real high right now,” Wes Matthews said. “The visibility is there.” From the world champion Warriors down to a band of rookies hungry for stardom, it’s a new day. “This time around,” Petrick said, “we’re here to see it through, and build success for the long term.”
Puma basketball is back — again.