‘Black Panther’ dominance: ‘A movie can’t get to $1 billion globally without tapping into some universal truths’
The superhero epic bests even ‘The Dark Knight’
12:47 PMAs of today, Marvel’s Black Panther has crossed the billion-dollar box office mark globally. The film is the 16th Walt Disney Studios film to reach this milestone — and it did so in less than a month — and it’s only the fifth Marvel film to achieve this accolade. Other films that have earned this amount include The Avengers, Avengers: Age of Ultron, Iron Man 3 and Captain America: Civil War. Black Panther continues to impress financially, as it also is now the No. 9 release of all time, and after this weekend it will be the No. 2 superhero release of all time, besting The Dark Knight, which earned $535 million domestically. Black Panther has already claimed the No. 1 February debut, among other achievements, and it’s one of only four films to surpass the $100M mark in its second weekend.
“This is the first time that a movie has opened in February and made $1 billion globally,” said Phil Contrino, the director of media and research for the National Association of Theatre Owners. “The notion that moviegoers will only come out in droves during the summer and the holiday season is now officially dead. Compelling content will play well at any point in the year.”
Overseas, Black Panther will shoot past the $500M mark this weekend, after its Friday opening in the last market for the film to open in, China, where it grabbed a first-day estimate of $22M. That the film has been able to excel, and break down long-held theories that films with largely black casts don’t sell in overseas markets, is remarkable.
“A movie can’t get to $1 billion globally without tapping into some universal truths. Black Panther’s emphasis on the importance of family and identity helped it transcend race, and that’s why it’s had no problem playing so well around the world,” Contrino said. “Audiences are sending a clear message that they want to see more diversity on the big screen. I really hope that five years from now we can look back at Black Panther as the moment that permanent change began.”
‘The Boondocks’ returns — as a video game
‘Inappropriate negro humor is serious stuff’
The characters of The Boondocks, legendary for breaking barriers and pushing boundaries, spent the past two decades carving out a decidedly young, urban and black space in the mostly white worlds of syndicated comic strips and late night television. Created by Aaron McGruder, the characters of Huey Freeman, Riley Freeman, Grandpa and the other residents of Woodcrest became almost instant icons, defining the attitude and aesthetic of a generation. After the show ended in 2014, fans wanted to know what was next.
And on Thursday, McGruder took to Facebook to announce the next iteration of the Boondocks brand: a video game. Fresh for ’18 … you suckas!
Cryptically teasing an app-based experience, McGruder only promises “a bizarre political satire that is largely about race and inappropriate for children.” Considering this is the same crew that scripted the most blasphemous version of Dr. King possible, the possibilities here are endless.
If McGruder, John Imah and DJ Pooh learned from the mistakes of Bandai and allow you to actually play as one or all of the title characters, each possible selection points to a dramatically different game.
Longtime fans of the strip will remember how much time Huey and Caesar spent absorbing the messages blaring out from the TV. Considering how much can be ripped from the headlines, a game where the boys jump through the TV to deliver their trademark anime-style beatdowns would be cathartic.
And of course, if McGruder is envisioning Trump as a properly vitiligoed Uncle Ruckus, a game based on President Ruckus could reach unknown levels of foolishness. Is Tom DuBois his veep? How would Uncle Ruckus handle North Korea? Is Ronald Reagan going to send him proclamations from White Heaven? Or maybe it’s even darker? Could it be a McCarthyist sendup in the style of the epic “Thank You for Not Snitching” episode?
If Riley Freeman’s letters to the president are anything like his letters to Santa, a State of Emergency-style brawler set in the nation’s capital would be amazing. Based on the updated cover photo featuring Grandpa’s pootie-tang-like belt, Sarah DuBois with a crossbow and Tom DuBois clutching a makeshift shield with the anarchy symbol on the front, clearly things are getting too real in Woodcrest.
The only one who knows how the game will shape up is McGruder, and we will all have to wait a little longer to see what jumps out of his mind this time.
Michael Bennett couldn’t have landed in a better spot
He joins Eagles players who have been active in trying to make a difference in their communities
5:44 PMIn a major NFL move Wednesday, the Seattle Seahawks traded veteran defensive end Michael Bennett to the Philadelphia Eagles, and the on-field implications are clear: Seattle signaled that its championship window has closed with this iteration of its roster, and the reigning Super Bowl winner has gone all in to defend its first Super Bowl title.
The productive Bennett, 32, just completed his ninth season, finishing with 8.5 sacks and 40 tackles. For the third time in the past four seasons, the three-time Pro Bowler started every game. The Eagles, who cannot officially announce the trade until the league year begins on March 14, are counting on Bennett to deliver consistently off the edge again as they try to repeat.
That’s the football stuff. Now, here’s the rest of the story: The most socially conscious team in the NFL just got more socially conscious.
A leader in sports’ new civil rights movement, Bennett has been at the forefront of demonstrations during the national anthem to shine a light on racial injustice. Through his foundation, Bennett — whose brother, tight end Martellus, was just released by the New England Patriots — works to fight obesity and educate children in the United States, Ghana and Senegal.
With his outlook on the world, Bennett couldn’t have landed in a better spot. His first tweet since the trade was about jailed rapper Meek Mill.
🔥🔥🔥🔥🔥🏆🏆🏆🏆🏆🏆🏆🎟🏅🏅🏅🏅 free meek mill pic.twitter.com/RgpOme044m
— Michael Bennett (@mosesbread72) March 7, 2018
Many Eagles players also have been active in trying to make a difference in their communities. And safety Malcolm Jenkins, defensive end Chris Long and wide receiver Torrey Smith, through their work with the Players Coalition, the main group of players who protested during “The Star-Spangled Banner,” have been as active as Bennett in trying to effect positive social change. Don’t be surprised if Bennett teams with his new teammates on some major projects.
Barring injury, Bennett should bolster the Eagles as they attempt to make another championship run. On the field, he’s exactly the type of player they need. And off it, Bennett figures to still deliver.
Beyoncé protégés Chloe x Halle to sing ‘America the Beautiful’ at WrestleMania
It’s the first time a duo will perform the song in company history
5:28 PMWWE announced on Monday that teenage rhythm and blues sister duo Chloe x Halle will sing “America the Beautiful” at WrestleMania on April 8 in New Orleans, marking the first time in company history the song will be performed as a duet.
The sisters, Chloe Bailey, 19, and Halle Bailey, 17, burst onto the scene six years ago after their YouTube covers of Beyoncé songs, including “Best Thing I Never Had” and “Pretty Hurts” caught the eye of the worldwide superstar. In 2015, Beyoncé signed the duo to her Parkwood Entertainment management and entertainment company.
— chloe and halle (@chloexhalle) March 5, 2018
Since that time, Chloe x Halle have released a mixtape, 2017’s The Two Of Us, and currently star on Freeform’s grown-ish with Yara Shahidi (black-ish). Last month, the pair announced that their debut album The Kids Are Alright will be released on March 23.
The sisters join Ray Charles, John Legend, Aretha Franklin and last year’s performer, Tinashe, in singing “America the Beautiful” at WrestleMania, World Wrestling Entertainment’s largest event of the year.
“Chloe x Halle are a dynamic sister duo, known for their angelic voices and soulful performances,” WWE senior vice president and general manager Neil Lawi said in a statement.
— WWE WrestleMania (@WrestleMania) March 5, 2018
Some WWE fans, showing their excitement and love for America, responded to the company’s tweet about the announcement by calling the selection “diverse,” predicting this moment as the “restroom break.” There also were wide variations of “who?”
How Kobe Bryant celebrated his Oscar win
The NBA superstar partied with ‘Vanity Fair’ and hung out with Jay-Z and Beyoncé
Kobe Bryant could have had his first big Hollywood moment 20 years ago.
It was Black Mamba, after all, whom director Spike Lee pegged as Jesus Shuttlesworth in his 1998 film He Got Game. Bryant was all set to play the basketball phenom, the son of Oscar winner Denzel Washington’s incarcerated Jake Shuttlesworth. But he changed his mind before they started filming in 1997. The role ultimately ended up going to Ray Allen.
But Bryant’s become a Hollywood star in his own way. Sunday night, of course, he won an Oscar for best animated short film for Dear Basketball, his retirement letter. From there, the five-time NBA world champion took his statuette to the Vanity Fair party along with revelers such as Oscar winners Frances McDormand and Christopher Walken, Donald Glover and Matt Bomer. Also in attendance at the magazine’s annual bash were rapper Drake, Oscar nominee Mary J. Blige, Sean Combs, Naomi Campbell, and Olympians Gus Kenworthy, Adam Rippon and Lindsey Vonn.
Bryant later headed over to West Hollywood’s Chateau Marmont, where Jay-Z and Beyoncé were throwing a private party honoring Blige’s Oscar moment. Of the 150-plus in attendance were Tracee Ellis Ross, Drake, Tiffany Haddish, Leonardo DiCaprio, Tobey Maguire, Mindy Kaling, BJ Novak, Shonda Rhimes, Whoopi Goldberg, Usher, DJ Khaled, Oscar winner Jordan Peele and Angela Bassett — all of whom received invites instructing them that there would be “No sitting, only dancing.”
At the West Hollywood hot spot — which, under normal circumstances, is crawling with celebrities — there was a casino setup, and at around midnight, Joe’s Pizza made a huge delivery. Bryant said a week earlier that he doesn’t regret just now getting his big Hollywood moment — he’s not an in-front-of-the-camera type.
“I’m not the most patient of a person,” he said. “When you look at actors … and the downtime involved … it’s just too much for me. I was 17 at the time, and I wanted to … play ball. I couldn’t sit still. I wanted to work out and train all the time. There was also a lot of pressure on me coming out of high school to perform well. I needed all my resources dedicated to preparing myself for the season.”
He says he loves the art of creating. “It’s like putting together a puzzle,” he said. “That’s what I enjoy the most.”
Oscars 2018: Jordan Peele nets history-making Academy Award for best original screenplay for ‘Get Out’
He’s the first black person to win the award
Actually, it’s history-making, Academy Award-winning screenwriter. He’s the first black person to win the award for original screenplay.
“I stopped writing this film about 20 times because I thought it was impossible,” Peele said during his acceptance speech, figuring that no one would let him make a film where the black hero violently kills a bunch of white people. (They totally had it coming, by the way.)
Peele dedicated his Oscar to his mother, “who taught me to love in the face of hate,” he said.
At publishing time, the Oscars for best picture, best director or best actor, the other categories for which Get Out netted nominations, had not been announced yet. Peele still has the opportunity to make history again. He’s only the fifth black man in the 90-year history of the Oscars to be nominated for best director. The other four are John Singleton, Lee Daniels, Steve McQueen and Barry Jenkins.
Serena Williams debuts new Nike campaign in time for International Women’s Day
‘There is no wrong way to be a woman’
10:45 PM“I’ve never been the ‘right’ kind of woman.” Those are the first words Serena Williams says in a personal and powerful new ad that debuted during the Academy Awards. It’s called Until We All Win, and it works as a timely autobiographical project.
“I want my daughter to be truthful and honest, strong and powerful,” Williams says in a statement, “to realize that she can impact those around her. I want her to grow up knowing a woman’s voice is extremely powerful.”
Amy Montagne, vice president and general manager, Nike Women, reaffirmed the company’s commitment to the voices and the power of women athletes. “Nike has always believed in the inspirational power of sport to break down barriers,” said Montagne, “[to] overcome differences and bring people together … we are always listening to the voices of our athletes, and for International Women’s Day, we wanted to highlight Serena’s voice in particular as we feel she is an inspiration for women and girls, and continues to break down barriers both on and off the court.”
Until we all win, indeed.
Oscars 2018: Kobe Bryant’s win exposes the limits of #TimesUp
NBA great wins an Academy Award for best animated short film
10:33 PMIf anything demonstrates the limits of #TimesUp and our collective ability to process allegations of sexual assault and what to do with them, it’s Kobe Bryant winning an Oscar for Dear Basketball.
On Sunday night, Bryant, who wrote and starred in the animated short film, ascended to the stage with director Glen Keane to accept his award.
#TimesUp and #MeToo were industry-shaking movements that have brought real change to the way we discuss sexual harassment and assault. They’ve helped bring about the resignation of a sitting U.S. senator and multiple elected officials. The movements even had an impact on who appeared on the stage at the Oscars. Casey Affleck, who was accused of sexual harassment, declined to present the Oscar for best actress, breaking with tradition. Affleck won the Oscar for best actor in 2017 for Manchester by the Sea. Jodie Foster and Jennifer Lawrence were tapped to present in his stead.
But as much as Hollywood talks about cleaning up its own ranks, going so far as to kick alleged serial predator Harvey Weinstein out of the Academy of Motion Picture Arts and Sciences, an accusation of sexual assault from 2003 was not enough to prevent academy voters from honoring Bryant and his film. (After lengthy pretrial maneuvering, including an appeal to the U.S. Supreme Court, prosecutors in Colorado dropped charges against Bryant after the woman who had accused him of sexual assault decided she was unwilling to testify.)
On the night where the movement was clearly visible, whether through “Time’s Up” pins or mentions by Oscars host Jimmy Kimmel, Bryant’s win leaves a big question: Has change truly swept through Hollywood?
See The Undefeated’s Kelley Carter interview Bryant here.